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B+W film developers
It is interesting to note, that most famous photographers use
standard off-the-shelf developers like Kodak D-76 (Ilford equivalent
is ID-11) or Agfa Rodinal. Why then, are there so many different
developers on the market.
I do not know the answer to that question, although I have tried very
hard to find out. One reason so many different developers exist is
probably historical as in the past the influence of developers on
films was larger that is the case with modern films.
My experience is that it is better to use one standard developer and
get to know it thoroughly than to experiment with a wide range of
developers. I have tested most of the developers on the market:
Kodak, Ilford, Tetenal, SPUR and other, and found very little
relevant difference between them. The standard developers generally
give better value for money and are easier to use because more data
on e.g. development times for different films and temperatures are
available. Your supplier is also less likely to run out of stock with
a standard developer than with some odd slow selling brand.
All this said there are differences between developers. D-76 and
ID-11 have optimized the grain size/film speed/tonality equation and
these are the developers I would always use. However, I now use Kodak
Xtol, which has similar characteristics as D-76 and ID-11 for
ecological reason. I also use Agfa Rodinal because that is the
standard developer that is most different from D-76/ID-11 /Xtol; it
has a very crisp grain that can give an almost graphic impact.
For good results it is imperative to determine you personal film
speed and development time. How to do this is adequately described
elsewhere. It is also necessary to work with a good, no, with an
excellent thermometer and a simple digital stop watch. If you use a
digital thermometer try to calibrate it against a good mercury
thermometer as digital thermometer will give different reading
depending on battery status. Low batteries result in high temperature
read-outs. Thermometers need not give correct readings, but the
errors must always be the same.
I push all film one stop. The advantages of higher film speed clearly
outweigh the loss of shadow details which can be kept to a minimum by
carefully establishing the optimum film speed and development time
combination.